He probably shut down the fences and phones to make sure no one would get off the island to tell anyone what he did (but left the raptor fences on to make sure he himself could get to the boat). System maintenance like this would never be performed while the system was in operation for business purposes, such as having people out on the tour.
(at around 1h 21 mins) During the T-rex chase, when the jeep crashes through the tree branch, you can see some wood boxes fall off the jeep from where the three characters were supposed to be. The scene then quickly cuts to a closeup of him cowering in terror. When Dr. Grant and entourage arrive on the island, the place is crawling with people: dock workers, game keepers, gardeners, kitchen staff, lab scientists, veterinarians, engineers, maintenance workers, builders, etc. At the end of the conversation Ellie stands up & reaches a short ways in front of her to get a spoonful of ice cream. (at around 29 mins) When the baby dinosaur is breaking the egg, the eggshell is almost open on one shot, and starting to break with a different shape, in the next shot. She encountered that raptor in the locked maintenance shed, so obviously the creature opened the door to get in there in the first place. Arnold went to punch the raptor when he loses feeling in his right arm. He was portrayed by Samuel L. Jackson who would later portray Mace Windu, in Star Wars, Frozone in The Incredibles, and Nick Fury in the Marvel Cinematic Universe.
(at around 1h 18 mins) Stage light reflected on the hood of the Explorer when it hits the bottom of the tree. (at around 47 mins) When Ian uses water to explain chaos theory to Ellie he drops the first water droplet on Ellie's hand and she immediately begins to tilt her head to the left to follow it. When we get a shot of Nedry getting out of the car, he looks to see what stopped him. When the T Rex was attacking the vehicle with the two children, Lex Murphy had her flashlight on. (at around 5 mins) The dinosaur fossil the paleontologists are excavating in the overhead shot (when "Badlands, Montana" appears) has a different head than the one they were digging up in the shot right before. (at around 1h 3 mins) When Timmy hears the T-Rex stomping and takes off the night vision goggles, his hair in back comes up. Ian literally found this camera out after the people were looking at the T. rex paddock. (at around 1h 28 mins) When Ellie and Hammond are talking (during the flea circus conversation w/o electricity). Since he was still several feet up, he is just as safe as a bird sitting on a power line. But earlier, in Montana, addressing the kid, Grant has no such first-hand information available yet. There is smoke appearing where the bulb is in contact with the raptors head, the power has been off for a while the bulb would not be that hot after being on for just a few seconds. You can briefly see the fence wires in the background overlay the T-Rex's left leg as she makes her third step just before the roar.
After further review, the cables are connected by cords, not wire. (at around 37 mins) At lunch, Ellie is gesturing with her right hand when she talks about the plants. (at around 7 mins) Despite fossil evidence, it's a large jump in Grant's imagination to describe the intricate attack psychology of Velociraptors after a gap of 65 million years or more. (at around 10 mins) The trailer at the archaeological dig where Hammond meets Grant and Sattler is no doubt a (highway-legal) 8 feet in width as seen from the outside, but the "champagne" scene which follows takes place in a cavernous mock-up much wider to accommodate workbenches, a full-size refrigerator, etc. In an early scene, Samuel L Jackson's character is struggling to get the computers up, and he is smoking away. The Brontosaurus was named when someone incorrectly matched a Brachiosaur skull with an Apatosaurus body.
(at around 1h 40 mins) When Tim gets electrocuted and falls back from the fence, look closely when he reaches Grant and you will see a red stunt crane in the background. Just before that, you can hear and see the digital clapper and the man holding it reflected on the door.
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