At one point the music shifts completely into an electronic world: synthetic warbles and slides flutter at Gutsch’s fingertips on a console. I detected instead, in works conceived within highly specific local contexts but rigorously engaged with contemporary global politics, a new and stimulating internationalism.The immersive dance-theatre work The Streets situates its audience members as citizens passing through a crowded street in one of Indonesia’s big cities—Jakarta, say, or Yogyakarta, the university town where director Yudi Ahmad Tajudin’s Teater Garasi was formed while Suharto was still in power. “Who,” asked Neil Postman in Amusing Ourselves to Death, “is prepared to take arms against a sea of amusements?” Who indeed?© Ben Brooker; for permission to reproduce apply to Robot Opera, Wade Marynowsky, Liveworks Festival, Performance SpaceRobot Opera, Wade Marynowsky, Liveworks Festival, Performance SpaceA row of eight standing rectangular frames appears at the end of the darkened auditorium, each emitting with strong LED light a pair of abstract geometric characters. Slowly, Taumoepeau began to float, valiantly continuing her dance. But where does presence end and distance begin? To achieve this and survive in the commercial photography world can be hard but I find increasingly that I attract the kind of companies and individuals who also share my values. Through this simple and personable beginning the friendly rapport between the two establishes an entertaining framework for anecdote and parody. E.J. Via email, I put a series of questions to Castellucci about a new work, Go Down, Moses, which looks set to be a contemporary performance highpoint at next year’s Adelaide Festival of Arts.My memories of that voyage are a bit blurry. Since the industrial revolution Western culture has been in huge hurry to get somewhere fast. Can’t we just sell it off to the Chinese and use the cash to promote musical activities that have some use and benefit to society? His collaborator on this work, Noh performer and instructor Richard Emmert, formed Theatre Nohgaku in Tokyo so he and friends could produce Noh plays in English primarily for English-speaking audiences, as a way to generate further interest in the form.Sung through elaborate masks in a low grumbly warble, characteristic of shomyo (ancient Japanese Buddhist monody), the text remained unclear, despite the performers’ excellent diction and vocal production. For thousands of years. Passing light glints from the vertical descent of a cloudy mist of water droplets that stream steadily from sky to earth.
The other thing to note with curating New Physics is that my approach inverts the traditional curatorial processes. Very nice pieces of solar portraiture, you might say.In a side chamber, there is another Earth Star (2008-10), here a large-screen video projection of the sun presented as installation. The ship was a means of escaping the loss of the war and the resulting Alliance dominance over the systems, and Mal's attempts to get by in a Universe that had forsaken him. Beautiful textural patterns constantly rotated to create shifting overlaps of colour and sound in a thrilling performance of vibrant musicality.Bendigo International Festival of Exploratory Music, The Argonaut Ensemble, Superimpose Cycle, Alexander Schubert; The Capital, Bendigo, 6 Sep© Delia Bartle; for permission to reproduce apply to Once upon a time avant garde art-making was driven by a need to provoke, shock and outrage, to liberate minds from seriously oppressive socio-political norms. Gunn brings words powerfully into play in Liveworks in surprising ways.
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